Maria or The Wrongs of Woman

by Mary Wollstonecraft
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PREFACE

THE PUBLIC are here presented with the last literary attempt of an
author, whose fame has been uncommonly extensive, and whose talents have
probably been most admired, by the persons by whom talents are estimated
with the greatest accuracy and discrimination. There are few, to whom
her writings could in any case have given pleasure, that would have
wished that this fragment should have been suppressed, because it is
a fragment. There is a sentiment, very dear to minds of taste and
imagination, that finds a melancholy delight in contemplating these
unfinished productions of genius, these sketches of what, if they had
been filled up in a manner adequate to the writer's conception, would
perhaps have given a new impulse to the manners of a world.

The purpose and structure of the following work, had long formed a
favourite subject of meditation with its author, and she judged them
capable of producing an important effect. The composition had been in
progress for a period of twelve months. She was anxious to do justice
to her conception, and recommenced and revised the manuscript several
different times. So much of it as is here given to the public, she was
far from considering as finished, and, in a letter to a friend directly
written on this subject, she says, "I am perfectly aware that some of
the incidents ought to be transposed, and heightened by more harmonious
shading; and I wished in some degree to avail myself of criticism,
before I began to adjust my events into a story, the outline of which
I had sketched in my mind."* The only friends to whom the author
communicated her manuscript, were Mr. Dyson, the translator of the
Sorcerer, and the present editor; and it was impossible for the most
inexperienced author to display a stronger desire of profiting by the
censures and sentiments that might be suggested.**

* A more copious extract of this letter is subjoined to the
author's preface.

** The part communicated consisted of the first fourteen
chapters.

In revising these sheets for the press, it was necessary for the editor,
in some places, to connect the more finished parts with the pages of an
older copy, and a line or two in addition sometimes appeared requisite
for that purpose. Wherever such a liberty has been taken, the additional
phrases will be found inclosed in brackets; it being the editor's most
earnest desire to intrude nothing of himself into the work, but to give
to the public the words, as well as ideas, of the real author.

What follows in the ensuing pages, is not a preface regularly drawn
out by the author, but merely hints for a preface, which, though never

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